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30 十一月 |
《悬石》
吴玉仁
200斤的石头、钢丝绳,一个人站在下面2个小时。
2011
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《洗礼II》
胡筱潇
洗碗布、蔬菜、别针
2011
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《下午12:35分》
《定义》
《神》
MAY YOU MATTERS BE SAFE
展览现场图片 exhibition views
15 十一月 |
Not Only A Taoist Troublemaker !
Forget Art ‘s site-specific project
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Inside the front hall of a temple.
Guerrilla non-site intervention and situation-based tactics.
A sense of time and position lie behind attitude!
Six artists’ work of de-professionalization and site-specific installation
setting temporary and subtle landscapes against the religious building.
Space is a unceasing practiced place !
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Curated by Forget Art
Organized by Za.project
Artists: Hu Xiaoxiao, Wu Yuren, Lu Zhengyuan, Ma Yongfeng, Liang Ban, Alessandro Rolandi
Opening at 3-6pm, Nov. 20,2011
Showing from Nov.20 to Dec. 20, 2011
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Venue: 杂家 zajia lab
open hours: daily 5 pm to late
Tel: 15601122252 / +10.84049141/ zajialab@126.com
地址:北京市东城区旧鼓楼大街豆腐池胡同(钟楼菜市场旁边)地铁鼓楼站B口出
Hong En Daoist Temple (beside Bell Tower food market) Doufuchi Hutong, Dongcheng District, Beijing
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About exhibition’s location:
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杂家zajia lab
project space/bar
Zajia lab provides space and resources for artists and cultural innovators, serving as an incubator for the creation of art and culture.
Zajia lab’s project space is located in the hutong of Beijing inside the front hall of Hong’En Taoist Temple.
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Hong’En Taoist Temple:
Hong’En Taoist Temple is located in Beijing at the back of Bell Tower, close to the city central axes. During the Yuan dynasty it was called “Thousand Buddhas Temple”, but its name was changed into “Temple of Peace and Quiet” during the Qing Dinasty. During the reign of Emperor Tongzhi (1862-1875),Taoist priest Liu Chengyin renovated the temple building and renamed it “Hong’En Taoist Temple” (Taoist Temple of the Vast Kindness) and also erected a commemorative stele in which he expressed the wish that “people visiting the temple shall look upon the God of Kindness with deep respect and devotion and shall always protect and sustain the temple”. During the Cultural Revolution, the temple was used as a factory of spare parts. Nowadays, between the front hall and the main audience hall of the temple there are a supermarket, a grocery market and a souvenir shop.
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Forget Art 的特定场地项目
展览前言:
一座寺庙的前殿。
游击性的“非在场干预”,以情境为媒介的策略。
态度的背后形式是一种时间感和阵地!
6位艺术家“业余性”的现场制作,对宗教建筑微妙抵抗的临时景观。
空间是一种不断地被实践的地点!
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策划 :forget art
主办 :Za.project
艺术家 :胡筱潇、吴玉仁、卢征远、马永峰、梁半、Alessandro Rolandi
开幕时间: 2011年11月20日下午3:00 – 6:00
展期 :2011年11月20日-12月20日
地点 :杂家 zajia lab
project space/bar
Tel: 15601122252 / +10.84049141/ zajialab@126.com
地址:北京市东城区旧鼓楼大街豆腐池胡同(钟楼菜市场旁边)地铁鼓楼站B口出
关于展览地点:
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杂家zajia lab
杂家lab为艺术家和文化创新提供空间和资源,努力推动创新艺术的发展。 杂家lab空间是位于北京宏恩观前殿里面胡同里。
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寺庙介绍:
宏恩观位于钟楼后面,紧邻北京中轴线。曾是元代千佛寺旧址,明代称清净寺。同治年间,刘诚印道士重修清净寺并改称为洪恩观,同时立碑纪念,希望“居是观者,仰鉴神恩而永为护持焉”。文革期间洪恩观用作北京标准件二厂厂房,现在前殿和大殿之间则是菜市场、超市和纪念品商店。
24 十月 |
如果想全面了解《保持一种业余性》这个项目,请参考《艺术界》LEAP 2011年 10月号
pls try to see OCT. 2011 of LEAP Magazine if you want to know more about this project SAVE AMATEURISM.
http://leapleapleap.com/2012/01/save-amateurism-a-project-by-forget-art/#5
save amateurism PDF下载 for PDF download
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Forget Art is an independent organization established in 2009 by the artist Ma Yongfeng. Douling as a loosely defined creative colletive, it came to notice after engineering the project “Location:Dragon Fountain Bathhouse” in September 2010. For this project, participating artists adopted a strategy of “micro-intervention”- launching artfully insinuated threats and acts of resistance against specified pre-existing spaces,while their interventions themseves faced the danger of disappearance. It was precisely this duality that converted the Dragon Fountain Bathhouse,located in the Beijing art district of Caochangdi,into a site ripe for exploration of the boundary between art and life – a place where one could consider the conditional significance of artistic practice all in terms of the paradoxical relationship between the visible and invisible. This year, Forget Art’s new project “Guerrilla Living Syndrome”attempts to break free from the framework of the typical artistic project, moving towards a new social model of “micro-practice”.
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Meanwhile, Forget Art moves forward with yet another round of experimentation. This specially commissioned LEAP portfolio, entitled “Save Amateurism!” embodies more powerfully than ever a kind of “guerrilla spirit – a degree of flexibility and agility, a situational mode of action. And yet each participating artist approaches the problem from a distinctly unique perspective. In their ultimate display, on-site photography of each work are randomly paired with quotes from different artists – indicative of and corresponding to Forget Art’s aesthetic temperament,principle of practice, and mode of reflection: all born out of engagement with the tenuous boundary between art and life.
Forget Art
《Forget Art Fair》
展板、射灯、5个艺术家作品、6 x 6米标准展位
2011年
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Forget Art
Forget Art Fair
exhibition panels,spotlight,five artists’ works,6 sq.m standard exhibition booth
2011
杨铭
《我想建一座花园》
木棍部分烧黑
尺寸可变,2010年
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Yang Ming,
I want To Build A Garden
charred wood shoots and branches,dimensions variable, 2010
马永峰
《下午4点40分》
旧桌子、四个西瓜
120x120x140厘米,2011年
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Ma Yongfeng
4:40pm
old table, four watermelons, 120x120x140cm, 2011
吴玉仁
《2010用品》
书、牙刷、筷子、看守所代购卡
2010年
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Wu Yuren
2010 Supplies
book, toothbrush, chopsticks, prison purchasing card
2010
杨健
《大地震后寻得的未知生物外皮》
皮革、布、橡胶、竹条
150x80x60厘米
2010年
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Yang Jian
The Skin of Unknown Organisms Found After the Earthquake
leather, cloth, rubber, bamboo
150x80x60 cm
2010
Alessandro & Clara Rolandi
《ENCORE !》
现场干预, 2011
手写横幅,中国花园,法裔意大利女孩
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Alessandro & Clara Rolandi
《ENCORE !》
intervention,2011
hand written banner, chinese garden, french-italian girl
卢征远
《飘散》
在旷野上喷洒阳光色的颜料,2011年
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Lu Zhenyuan
Blown Apart
sunlight-colored pigment sprinkled in wilderness, 2011
杨心广
《树叶》
尺寸可变, 2011年
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Yang Xinguang
Leaves
dimensions variable, 2011
马永峰
《下午12点50分》
把画廊的厕所门卸掉放在旁边
240x80x5厘米, 2011年
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Ma Yongfeng
12:50pm
unhitched gallery bathroom door, 240x80x5 cm, 2011